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Showing posts with label In Country. Show all posts
Showing posts with label In Country. Show all posts

Wednesday, September 19, 2007

In Country







In Country is a novel about Christiana "Chryssie" Rutenberg RN and Dr. Mercury "Merc" West, as they travel across America to sort their lives out. Chryssie is married to Hampton, who is coming back from Iraq missing a hand. All three have been "In Country," that is, in Iraq during the war. They are currently in Las Vegas NV. The previous parts of the novel are on Corrente Wire. Yes, there is more going on that just the surface story, which, if you want to know about it, then ask in the comment thread.

4

Maybe even now, I need. All, everywhere, is designed, everything. That holds events and plans. Even lost ideas are designs entering oblivion. And chosen in letters, engraved on stone.

But only under limits of meaning. Even now, everyone needs.

Hasn't everyone made up reasons inside? And chosen an inside, outside, insane stain. A lie, gestates, enters, ends the endless kinetic ethics.

Pray on lies, lies as stars. Demanding in phases the infamous maw of useless states, praise such useless choices as sound. And in death intone: "Please rape our insides. Assassinate, plunder, slake every need."

Have everyone rape. Onward, onward, now.

Although understanding topple our senses, defeat everything, hold endless lessons or reasons in abeyance, to each understated choice ending comes under starry scintillation in night.

Thank you Dr. Shay. I will come home now.

I wake to see his iris eyes hang over me like an early twilight sky, with blackness engulfing overhead, and fringes of darkest blue around. An alarming wave rises from my body, I am having sex, even though I have been asleep. My bodies moisture has eased the slow and steady sliding of him into me. But my mind is not aroused, but looks disdainfully from the sidelines.

The day before had seemed wasted, with to and fro and waiting for statements to be made and given. But the evening had been one of pulsing excitement, we had cruised the strip and settled into a pounding acid house dance club, ripped with blaring blue lights. We were going to party like it was 2002, and the blasting blaze of blue is every where.

The bodies are not quite packed in yet, but they are sweating in the heat, and the small bubbles we put around ourselves in waking ours had begun to collapse under some insane pressure of heat and need.

One seemed to clear a space, to like a dervish spin to another time, and in another motion. With another energy, creating a divine wind. The blades of her hands made angles to her arms. The twist of her round, round hips swirling a shape that was like the torquing of the bends of a twister as it lands. Some one had sown her with the wind, and there she was, the whirlwind: her dark skin shown with a kind breathe of sweat, her fountains of henna washed locks shook and shimmered as she danced, her eyes on her own breasts, her own orange and multi colored sort dress. There was that bright smile of self-love on her whole countenance.

Like any woman, I could tell that the man on my arm had noticed her, in the sense of her as a synonym for it, Her angular arm gestures, something about her, which I knew to be the perfectly toned legs and muscles, her perfectly smooth skin that glowed in the snap crackle pop of the dance floor light. Others pressed aside to watch her movements.

She was not that tall, but she swept the floor in front of her, her plunging neckline implying not availability, but a taunting flavor that is the sweet smell of confidence. Her rounded cheekbones carried the touch of affluence, but her tapered waist said that she was on the machines every day. Beauty was clearly her profession.

I reached my hand around Merc's seeking reassurance and trying to sense his own pulse. I found myself pulled around, his hand on my spine, his fingers intertwined with mine, his eyes on mine, my hand raised into the just so place of the tango, that dance he had taught me. I was pulled forward in my chest, and rocked back in my hips. I could do nothing but follow.

Then and only then did I notice that the pumping speakers were pushing out some dance music cover of "Roxanne."

"It's a tango."

That it is.

He circled one foot back and stepped forward, I retreated. A foot fall left, a foot fall left. I pull up, crossing my legs and pressed my thighs together. He let me drop down but almost with out pause, he shifted off of sync and I fell into ochos, me feet falling alternately into place. Eights. My hips spin in figure eights, tracing them in the air.

With that space we invaded the woman's bubble. I could feel the fingers of our space break through into hers, like claws that rip the flesh off a rabbit, or the tendrils of dawn the rip away the night. Eyes followed us as he spun me, and drove me around in a circle. It was a thunder run of a dance, twisted turned, and ever rotating.

I expected the woman to react, to sour her face, or in some way observe our intrusion. But instead, she merely radiated, danced the same dance. Then I noticed she had begun to turn her self contrary to our motion, so that there were wheels within wheels.

Merc and I would dance, sometimes holding attention, but later retreating into the packed down. His hands on every point of my desire, his legs intruding between my own, his palm now on my back in a formal dance, then along my arms in a free form flow.

By the end of the night we glowed with perspiration, and every other moisture that raises and rises. My skin was stretched from waves of sweat and drying, my nipples aching from so many quivering moments when I saw some particular curve or stance of his body. He drove me that night. Oh god how he drove me.

Back in the room, I was peeling off my clothes as I walked in, carelessly tossing them aside on the way to the bed. I would not accept delay even for another instant.

I looked back to see that look that men have when half surprised at their handiwork, half smugly confident, realize that their woman is pulling them like an undertow to the bed with no transition from public foreplay, to immediate intimacy. I let the corner of my mouth form a knowing half smile. It is a thing I saw my mother do with my father. I have done it so often now, that it is my own.

In a few moments his face was above mine, his features the clouds of a rolling storm. He looms over me, his nose strikes down towards me.

He is plowing up and down across my midriff, suddenly I have the intense urge to pee. I can't help it.

"Let's take a shower together." This is my old strategy to keep the mood up, and still not spend half an hour thinking about nothing but holding it in.

He rolls off of me, and in a cat quick motion plants his feet on the floor, grabs my wrist and pulls me up to standing. It feels like I am flying for a moment, and then I land, giddy.

"How do you do that?"

"It's easy with an angel to make her fly."

I almost want to blush, I drape my naked flesh over his shoulder and push us with little steps into the bathroom. As he is getting the water started, I do the necessaries and almost hop in, the water splashing off the sweat.

"You know, I had my claws out with that dancing girl. The one with the hot floral skirt and all the moves on the dance floor."

I wrap one leg around his and draw the cleft of my legs over his

He shakes his head.

"No, she is too much like my ex-wife."

"What ex-wife?"

Wednesday, August 08, 2007

In Country





I look at the sunlight of a dying day as it flows over his body, it's finely chiseled contours, the little swoop by the sides of his abdomen that hint that there is still muscle beneath the slight layer of softness that age has provided him. I can't bear to look for too long, but instead turn to the side of my bed, and begin brushing my hair. It is long, and still blond enough. I have had long hair for along time, so the even strokes of the brush, slowly easing out the tangles from the sweat soaked afternoon is a ritual, it calms me.

"My husband would kill me if he knew."

I say that to the air.

"But he isn't here."

I brush another long stroke, and then stop. Those hands of his are on my hip, and caressing over the curve of my figure, and then down my thigh, and then back up again. Those hands of his. Those hands that can sew together dying flesh, torn by metal or wood or stone. IT is those hands that I dream of.

"Yes, he's in country. This is the moment that makes me feel guilty, every time."

"So was I. What are you going to do?"

I try and resume the brushing, but my perception's focus is more and more and more and more upon the point of contact of the tips of his fingers on my curve, as the play up my waist, which no longer has the same swoop it did when I was reeally still young, but more than most women, I think, my age can really claim.

"Nothing until I have to, until..."

I roll back over on my back, and stare up into his blue eyes, and the features that are finely etched, but filled with imperfections that prevent it from being gorgeously magnetic. He is still handsome. And for some moment, my man, even if I can't really feel myself to be his woman. Or not completely his woman. I am drawn to wanting to say something affectionate. His hands move down my body and begin wirling in that triangle of curly pubic hair. I did not have a name for that place on my body, until he gave it one. My husband had no sense that I had nerves anyplace, except my lips, nipples and vagina. He taught me how there were nerves, and tissues and a whole connectedness, with that same stroking motion he is using now.

"How did you feel, when you came back, and your wife left you?"

He gazes down into me, and hard into me, and his fingers never stop picking the dried white flecks that are the remains of sex from my hairs.

"Feel? I didn't feel at all."

I breath out slowly and almost manage a sigh. He continues.

"Being there changed me, I expected it."

"Did you know? I mean that she had taken up with someone else? While you are there?"

"I still don't know, you never can."

I pause for a moment.

"You must have felt something."

"Not until I met you. She went off with someone else. Maybe he was more like the man she fell in love with than I am now."

"You've said this before, what do you mean?"

"I am quieter now."

"I like you quiet, sweetie."

He straightens his fingers through my pubic hairs, and without asking or needing to ask, because to move them in a slow spiral on the surface of my outer lips. I can't help not wanting him to, but there is a thrill that rises on my neck, and I want him not to stop, more than anything, I want him to continue, but hold right there, and not use this as a prelude to another round of. Of love making. Yes. That is what it is. I open my lips to say something. I stop. I start on something else. I stop again. He fills the space.

"I used to talk about everything, I had opinions about life, art, politics, the world. I don't now."

"I like you quiet."

"That's because that is what you need, a man who is quiet so you can only half fall in love."

That stings, I start a third time to say something, this time more bitter than the last. I stop again, and then start a fourth thing.

"But I have. Just not with you. With... with this. With us. I'm in love with us. Which is why I don't want us to end."

There is a rustle as his hand moves. He lowers himself down as if doing a push up, kisses my neck, suspended above me, not touching me except at the point, and then lifting himself away.

"One of the us is going to end very soon."

"No, he is stuck there."

"I'm going back there. And that will mean you will find someone else."

That stings again, but even as my intestines churn with the nausea of self-realization that I need a warmth beside me, and within me, or I will curl up and vomit until I feel like dying, talks in the back of my mind, I deny it. In that moment, I decide to deny it, and make one of those promises that is only true going forward. I feel a hardness sweep first inside of me, and then become a tautness over my chest and breasts and down my legs.

"I'm not going to do that."

My chin bends inwards as a way of emphasizing the earnestness of the statement, and I look back up into those eyes with a challenge.

"So what are you going to do, delay with both of us until we both come home?"

"Half of me wants one of you to just shoot the other."

"It will have to be him, I've had my fill of blood and killing for any reason other than pure necessity."

I start to turn away again, but his hands are upon the curve of my hips, he presses them down to the bed, and places his lips on the outside of my sex. What follows is pure pornographic moment, I can't describe it, or, I don't have the courage to describe it. What I feel is dirty, shameful and as addictive as anything I've ever known.

I gasp, because, not because I feel it, but because I want to tell him not to stop, and I can't wrap my lips around the words. He spends long minutes praying at the temple of my body. I forget the motions and precisely what he does, and even my gaze losses focus. I don't want to remember, and I try not to think about my husband or what this means.

"I want you then."

He pulls himself up again, and is again suspended over me, close enough that the radiant heat still comes off of him to me. He stares up along my geography, I look down. I stare down. I cry.

The tears force my eyes to close and I am sobbing.

"Why did this have to happen to us? Why this war, now, to us?"

"Which us? I don't think your marriage was going to live. How you put up with his affairs I don't know."

"He needed them, and I needed him."

He shakes his head.

"You needed him, so he could have them."

I open my eyes again, I take aggressive action and slide myself back down under him, my legs dangling down the foot of the bed.

"Don't go back there."

"I made a promise, even if Americans can't keep theirs to me, I have to keep mine to them."

"I'm breaking a promise by being with you."

"It was a promise that was already broken. You want the name of his woman in the Green Zone? I can give it to you. Doctors know everything."

I pause and stare up in earnest.

"Like what."

He runs his hand around a hard roundness on my tummy.

"She's pregnant, and so are you."


Signed -- Liberty